They did not come back a 3rd time. We didn't have time to waste we had carpet installation coming, staging appointments, etc. They said they will address the situation if a problem came up with selling it. Well, the staging of the townhouse hid the mess nicely with carpets, so now that the townhouse is sold and has new owners, I guess it's not our problem anymore...I feel bad tho.
How about considering older workers, those who retire early, have great work ethics, and could learn a new trade. After sitting at a deskfor thirty years, or more, but have 20 good years left to work, how about training to be a bricklayer, or operate a bobcat , etc. Lots of great folks out there, who could use the income to supplement Social Security.
A good paintbrush is key to a professional-looking finish. "A quality brush costs $15 to $25, but you'll discover that pros aren't as talented as you thought," says Doherty. "The equipment has a lot to do with their success." Most of our pros prefer natural-bristle brushes for oil-based paints, but they recommend synthetics for all-around use. When choosing a brush, pay attention to the bristles. Synthetic brushes are made of nylon or polyester, or a combination of the two. Poly bristles are stiffer, which makes them good for exterior or textured work, but for fine interior work, Doherty uses softer nylon brushes. Look also for tapered bristles, which can help you work to an edge, and flagged tips, which help spread the finish smoothly and evenly. Brushes are available in 1- to 4-inch widths. Most painters keep an arsenal on hand to match the job. "Use common sense," says Maceyunas. "A smaller brush gives you more control, but no one wants to paint a door with a 1-inch-wide brush." Doherty recommends starting with a 2- or 2-1/2-inch sash brush. The angled brush makes it easier to cut to a line and puts more bristles on the work than a square-tipped brush.
2. The geographic situation is very important too. Gaucin is one of the most singular villages in the Ronda mountain area. The Town is like a balcony looking at the Strait of Gibraltar and Africa. Its privileged situation gives to Gaucin a amazing weather in addition to the views. The Villa is configurated by narrows streets and white Walls. Our idea is to play with white faces and shadows to be integrated with the surroundings